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[object_type] => shoe
[name] => Dark Eros
[year] => 2007
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[colour] => 9E1224
[material] => embroidery,feathers,satin
[usage] =>
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[style] => glamorous,historically influenced
[description] => These shoes were exhibited in a solo art exhibit 'The erotic life of the foot... from soul to soulier.
Court Of Venusburg – An Alchemy of Imagination
Part of a limited edition of 1-5.
This photograph was shown in the movie 'P.S. I Love You', starring Hilary Swank.
Material: wine/black Venetian paisley printed suede, half d’Orsay court shoe... encrusted with black diamond Swarovski crystal.
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[object_type] => shoe
[name] => Fifi Carnevale
[year] => 2007
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[description] => These shoes were exhibited in a solo art exhibit 'The erotic life of the foot... from soul to soulier.
Court Of Venusburg – An Alchemy of Imagination
Part of a limited edition of 1-5.
This photograph was shown in the movie 'P.S. I Love You', starring Hilary Swank.
Material: red/black lambskin leather, red silk ruffle trim, gold Carnival mask, black feathers
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[thumbnail] => Lloraine-Neithardt-5_t.jpg
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[object_type] => shoe
[name] => Skatie
[year] => 2007
[brand] => Softwoodenshoes
[location] =>
[shoe_type] => clog
[focus] => instep,sole
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[colour] => EC0A36,FFFFFF
[material] => embroidery,feathers,plastic,wood
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[style] => experimental,folk,historically influenced,sport
[description] => Softwoodenshoes Irma Bruggeman used to decorate telephones, when these phones were to be replaced by mobil phones shoe was looking fror a new object. She started to decorate Dutch wooden clogs. ‘Our cultural inheritage that was disappering in the fashion scene. I took the challenge getting it back in the picture.’Softwoodenshoes is ontstaan after a discussion with Klompen Frans, a wooden toy supplier. He noticed that the traditional wooden clogs were dissapering from the market. People stopt buying the clogs. The softwoodenshoe has a soft instep, what makes wearing them very comfortable and painless.
The Softwoodenshoes are permanently shown in the 'Klompenmuseum 't Oale Ambacht' in Goor, The Netherlands.
[keywords] => wheels, rollerskates,
[thumbnail] => Irma-Bruggeman-t6.jpg
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[status] => online
[object_type] => shoe
[name] => Wolfsboot Hiawatha
[year] => 2006
[brand] =>
[location] =>
[shoe_type] => boot
[focus] => instep,print
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[colour] => 2386C1
[material] => beads,feathers,jewellery,leather,metal
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[style] => experimental,historically influenced
[description] => From Oktober 2006 for sale at Gallery Strijp X in Eindhoven, The Netherlands
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[thumbnail] => roswitha-new-t18.jpg
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[status] => online
[object_type] => sculpture
[name] => Guendoline
[year] => 2006
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[shoe_type] => sandal
[focus] => leg,toe
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[colour] => 333333
[material] => beads,feathers,patent_leather
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[style] => glamorous
[description] => This shoe sculpure is part of a series of 20 sculptures of shoes dedicated to the most relevant women in history, literature, cinema and comics. This project has been commissioned by Superstudio Milan and ANCI, and chosen as opening event for the MICAM 2006.
Guendoline (John Willie’s)
This sandal pays tribute to John Willie, a comics master, pioneer of the “bondage” way, whose work is the top and finest one could find in such field. His comic stripes were directly drawn on photo paper, collected by just a little group of estimators and mainly sold by mail. His stories were often unfinished. Occasionally happened that John Willie would refuse very remunerative works so that he wouldn’t have to come across censorship which might changed the nature of his stripes.
His character Guendoline has been a secret comic for years, but it has left very important traces in graphic’s evolution and styles one can find in the Seventies works of artists such as Allen Jones or in certain pictorial fantasies of Dino Buzzati.
Guendoline is victim of bad man’s persecution, she is a commonplace as de Sade’s Justine or the heroin in the “Histoire d’O”. Tied up, imprisoned, hang up, whipped: a character that belongs to fantasies of male domination. Guendoline is the object-woman tied up by laces and unreasonable corsets where the bad man, most of the time the artist himself playing the part of sir Dystic D’Arcy, will have the worst in every episode eventually. Her sandal is made of patent leather, a classic in sadomasochism, as her daddy wants to look her like. Or not?
Courtesy of Daniele Fontana at Whitenoisephotography 2007.
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[name] => Jeanne d’Arc
[year] => 2006
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[focus] => heel,instep
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[material] => beads,feathers
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[style] => experimental,historically influenced
[description] => This shoe sculpure is part of a series of 20 sculptures of shoes dedicated to the most relevant women in history, literature, cinema and comics. This project has been commissioned by Superstudio Milan and ANCI, and chosen as opening event for the MICAM 2006.
Jeanne d’Arc
All I know about Jeanne d’Arc is that she was French, she heard voices and she fought for the king, the same king that to express gratitude condemned her to the stake; I also know of a movie about her story interpreted by Ingrid Bergman and another one by Milla Jojovich; I think she was called 'the Maid of Orleans'. In my collective imaginary, this is enough to dedicate her a pair of sandals with 'flaming' sheet metal heels and a black cross as symbol of her passion and the one, repaid, of the king’s.
Courtesy of Daniele Fontana at Whitenoisephotography 2007.
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[object_type] => sculpture
[name] => Cleopatra
[year] => 2006
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[shoe_type] => mule
[focus] => ankle,heel,toe
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[colour] => 115F46
[material] => beads,feathers
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[style] => animal,glamorous
[description] => This shoe sculpure is part of a series of 20 sculptures of shoes dedicated to the most relevant women in history, literature, cinema and comics. This project has been commissioned by Superstudio Milan and ANCI, and chosen as opening event for the MICAM 2006.
Cleopatra
Researchers interested in her story have recently revealed that the queen might have been murdered. In Shakespeare’s tragedy step, when the clown brings the Nile’s asp to Cleopatra, he advices her about the danger of the snake, for the suicidal plan hasn’t been declared. The clowns tells her to be aware as the demoniac nature of the snake doesn’t make it proud of the food it eats. Even if the history would bright up certain doubts on Cleopatra’s last day of life, the mystery around this woman will never be disclosed. For the collective imaginary she is and always will be associated with seduction and to the asp by which she got herself killed. For it is far more romantic remember her this way. At the same time it would be less interesting to believe that a proud and strong woman like Cleopatra couldn’t be able to even control her date of death which would be decided by others, perhaps the Romans conspiring with the local aristocracy. Her sandal is made of peacock eyes for the symbol of life’s triumph that immortalized death in a hieratic moment. A stylised winged snake, son of the Nile, subdued to the will of who raised it up and gave it hospitality in her land. Land in which most part of treasures are hidden, not just buried, under the sand.
Courtesy of Daniele Fontana at Whitenoisephotography 2007.
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[status] => online
[object_type] => sculpture
[name] => Alice in Wonderland
[year] => 2006
[brand] =>
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[shoe_type] => sandal
[focus] => ankle,heel
[colour_backup] =>
[colour] => EC0A36
[material] => feathers,paper
[usage] =>
[sex] =>
[style] => experimental
[description] => This shoe sculpure is part of a series of 20 sculptures of shoes dedicated to the most relevant women in history, literature, cinema and comics. This project has been commissioned by Superstudio Milan and ANCI, and chosen as opening event for the MICAM 2006.
Alice in Wonderland
Lewis Carroll's novel 'Alice in Wonderland'; represents the metaphor from childhood to puberty with its exciting discovers, fears and contrasting emotions. Alice is still a child when she passes through the mirror and enters a fairytale world but that actually hides, although not so well, deception and dangerous realities. During her fantastic journey, Alice will find some characters more appropriate to mental homes, she will eat mushrooms with properties more similar to narcotics than magical, she’ll hear some nonsense speeches worthy the theatre of the absurd and she will risk to be beheaded several times by the hand of a despot and hysterical queen reigning over the fear of her subjects. Following ferocious political satires and happenings far from what the gilded world of childhood should be, the author, best known in his private life for some particular weird interest to children, leaves some clues of perversion and refinement that will be understood only later. Many fairytales of the past used to hide subliminal messages and some 20 years ago cartoons transmitted not much reassuring values: nowadays the situation is not that better; if, in a way, there is more attention not to show death as a spectacle, on the other hand cartoons are nothing but a marketing product treated for supporting the setting of the correlated merchandise, identifying children as very precocious consumer’s target.'Alice's sandal is the one that she could be wearing at the end of the novel, when she says to the Queen of Hearts a just: ';Stop it! Who do you think you are? You’re nothing but the queen of a pack if cards!'; Alice grew up, she is no more scared as now she is self-conscious. She steps on the queen’s card; with its tinged cruelty this story teaches us that life is circular and that it takes a second to switch from losers to winners, from victims to executioners, from the dead to the living.'
Courtesy of Daniele Fontana at Whitenoisephotography 2007.
[keywords] => playing card,fairytale,
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[object_type] => shoe
[name] => Owl-Medicine
[year] => 2006
[brand] =>
[location] =>
[shoe_type] => boot
[focus] => laces,leg
[colour_backup] =>
[colour] => 663300,EABEEA
[material] => feathers,leather,metal
[usage] =>
[sex] =>
[style] => experimental,historically influenced
[description] => This project is sponsored by Fonds BKVB.
The Netherlands Foundation for Visual Arts, Design and Architecture (Fonds BKVB) is the national body responsible for making grants to individual visual artists, designers and architects. Its objective is to nurture excellence in visual arts, design and architecture in the Netherlands.
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[status] => online
[object_type] => shoe
[name] => Mongolian boot
[year] => 2005
[brand] =>
[location] =>
[shoe_type] => boot
[focus] => print,toe
[colour_backup] =>
[colour] => 115F46,996633,6D7427,CC9966
[material] => fabric,feathers,fur
[usage] =>
[sex] =>
[style] => experimental,folk
[description] => The mongolian boot is inspired a a monoglian chair.
[keywords] => Mongolia,
[thumbnail] => roosvanrijn-t8.jpg
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[object_type] => shoe
[name] => Ibis
[year] => 2005
[brand] => Trippen
[location] =>
[shoe_type] => sandal
[focus] => ankle,toe
[colour_backup] =>
[colour] => 6E0DA2,333333,CC9966
[material] => feathers,leather,suede,wood
[usage] =>
[sex] =>
[style] => glamorous
[description] => In connection with the unvarnished wooden soles delicate feathers represent an exciting contrast of materials.
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[thumbnail] => 15285_trippen-t7.jpg
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[status] => online
[object_type] => painting
[name] => Vero
[year] => 2004
[brand] => ArashandKelly
[location] =>
[shoe_type] => mule
[focus] => ankle,heel,toe
[colour_backup] => #CCCCCC,#FFFFFF
[colour] => CCCCCC,FFFFFF
[material] => beads,embroidery,feathers
[usage] =>
[sex] =>
[style] => experimental,glamorous
[description] => 'My fantasy feather and pearl shoes' created by Veronique Economou
When nobody dreams up or satisfies your fantasy, make the fantasy real for yourself.
Part of Soles exposed: 21 women in their favourite shoes
(January 2005, Adam Street Gallery, London)
This show featured paintings of 21 women in their favourite shoes, by artist and designer Kelly Sant. Kelly has painted the feet of some of the leading lights of the design and fashion worlds, each clad in their favourite shoes. From design curators, to stylists, to the muse of a 70s shoe designer, each has chosen the shoes that they feel best sum them up. Essentially these are portraits of feet, some defiant, some coy, some strident, some sexual: each painting richly conveys the essence and personality of their owner. Yet each portrait ends at calf level, tantalising the viewer with suggestions of what is not revealed.
[keywords] => animal,
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[status] => online
[object_type] => shoe
[name] => Feathers
[year] => 1989
[brand] => Lola Pagola
[location] => Centraal Museum Utrecht, The Netherlands
[shoe_type] => pump
[focus] => ankle
[colour_backup] => #9E1224
[colour] => 9E1224
[material] => feathers
[usage] =>
[sex] =>
[style] => animal,glamorous
[description] => Donated to the Centraal Museum Utrecht, The Netherlands, in 1998.
Part of the hairy collection.
[keywords] =>
[thumbnail] => Lolapagola-t17.jpg
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[object_type] => shoe
[name] => Birdy
[year] => 1988
[brand] => Lola Pagola
[location] => Centraal Museum Utrecht, The Netherlands
[shoe_type] => slipper
[focus] => instep
[colour_backup] =>
[colour] => FFFFFF
[material] => feathers
[usage] =>
[sex] =>
[style] => animal,experimental
[description] => Donated to the Centraal Museum Utrecht, The Netherlands, in 1998. Part of the hairy collection.
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[object_type] => sculpture
[name] => Mixed Metaphor
[year] => 1985
[brand] =>
[location] => Queens, New York
[shoe_type] => extreme
[focus] => heel,instep
[colour_backup] =>
[colour] => ff007c
[material] => beads,embroidery,feathers
[usage] => furniture
[sex] =>
[style] => experimental,glamorous
[description] => Mixed media: glass beads, silicon, oil paint on masonite, found furniture. (Life size) bedroom installation, 1985.
PS1 Museum, Long Island City, Queesn, New York City.
[keywords] => room, chamber, bedroom, zebra,
[thumbnail] => RhondaZwillinger-t3.jpg
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[mysql_link] => Resource id #9
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[fields] => Array
(
[o_id] => 54
[status] => online
[object_type] => sculpture
[name] => Ma Gouvernante
[year] => 1967
[brand] =>
[location] => Moderna Museet, Stockholm
[shoe_type] => pump
[focus] => heel,sole
[colour_backup] =>
[colour] => FFFFFF
[material] => edible,feathers,metal,paper
[usage] =>
[sex] =>
[style] =>
[description] => Ma Gouvernante - My Nurse - Mein Kindermädchen.
Meret Oppenheim (1913-1985) was an important surrealist Swiss painter and sculptor. In 1936 Oppenheim exhibited Ma Gouvernante made of a pair of shoes bound together on a platter in a position simulating that of a nude woman on her back with her legs spread and dressed with paper frills. The shoes caused as a lot of excitement. This pair of shoes was distroyed, but a new pair was made in 1967 when Moderna Museet made an Oppenheim show.
[keywords] => surrealism, food, edible,
[thumbnail] => 1967-ma-gouvernante-t.jpg
[p_ids] =>
)
[thumbnail] => image Object
(
[path] => files/1967-ma-gouvernante-t.jpg
[directory] => files
[filename] => 1967-ma-gouvernante-t.jpg
[path_original] => files/1967-ma-gouvernante-t.jpg
[filename_original] => 1967-ma-gouvernante-t.jpg
[web_path] => files/
)
)
)
[cols] => Array
(
[object_type] => Array
(
[0] => advertisement
[1] => article
[2] => illustration
[3] => movie
[4] => jewellery
[5] => painting
[6] => performance
[7] => photograph
[8] => poem
[9] => sculpture
[10] => shoe
[11] => song
[12] => toy
)
[shoe_type] => Array
(
[0] => ballerina
[1] => boot
[2] => brogue
[3] => clog
[4] => extreme
[5] => flip-flop
[6] => high_heels
[7] => mule
[8] => platform
[9] => pump
[10] => sandal
[11] => slipper
[12] => sneaker
[13] => stiletto
)
[focus] => Array
(
[0] => ankle
[1] => buckle
[2] => heel
[3] => instep
[4] => laces
[5] => leg
[6] => print
[7] => sole
[8] => toe
[9] => zipper
)
[colour] => Array
(
[0] => 333333
[1] => 666666
[2] => 999999
[3] => cccccc
[4] => ffffff
[5] => ffff00
[6] => ffdc44
[7] => fbe187
[8] => ff9933
[9] => e24e45
[10] => ec0a36
[11] => 9e1224
[12] => 663300
[13] => 996633
[14] => cc9966
[15] => a3c449
[16] => a0ff4d
[17] => 20c56f
[18] => 1aae1f
[19] => 6d7427
[20] => 115f46
[21] => 110dc0
[22] => 2386c1
[23] => 02e0df
[24] => eabeea
[25] => ff33cc
[26] => ff007c
[27] => c00b87
[28] => 6e0da2
)
[colour_n] => Array
(
[333333] => black
[666666] => dark grey
[999999] => light grey
[cccccc] => silver
[ffffff] => white
[ffff00] => yellow
[ffdc44] => gold
[fbe187] => sand
[ff9933] => orange
[e24e45] => crimson
[ec0a36] => red
[9e1224] => dark red
[663300] => chocolate brown
[996633] => sienna
[cc9966] => wood
[a3c449] => olive
[a0ff4d] => lime
[20c56f] => sea
[1aae1f] => apple
[6d7427] => copper
[115f46] => dark green
[110dc0] => blue
[2386c1] => aqua
[02e0df] => turquoise
[eabeea] => light pink
[ff33cc] => barbie
[ff007c] => magenta
[c00b87] => orchid
[6e0da2] => purple
)
[material] => Array
(
[0] => aluminium
[1] => beads
[2] => bronze
[3] => ceramics
[4] => concrete
[5] => cork
[6] => crocodile
[7] => edible
[8] => embroidery
[9] => fabric
[10] => feathers
[11] => felt
[12] => fur
[13] => glass
[14] => gold
[15] => jewellery
[16] => lace
[17] => leather
[18] => metal
[19] => paper
[20] => patent_leather
[21] => plastic
[22] => ratan
[23] => porcelain
[24] => reptile
[25] => rubber
[26] => satin
[27] => silver
[28] => stainless steel
[29] => stone
[30] => suede
[31] => synthetic
[32] => virtual
[33] => wood
[34] => wool
)
[usage] => Array
(
[0] => birth
[1] => dance
[2] => death
[3] => initiation
[4] => jewellery
[5] => marriage
[6] => prop
[7] => sport
[8] => furniture
)
[style] => Array
(
[0] => animal
[1] => chic
[2] => classic
[3] => cowboy
[4] => disco
[5] => experimental
[6] => folk
[7] => glamorous
[8] => gothic
[9] => hi-tec
[10] => historically influenced
[11] => kinky
[12] => minimal
[13] => punk
[14] => sport
[15] => transformer
)
[time] => Array
(
[0-1900] => pre 1900
[1900-1940] => 1900 - 1940
[1940-1960] => 1940 - 1960
[1960-1980] => 1960 - 1980
[1980-1990] => 1980 - 1990
[1990-2000] => 1990 - 2000
[2000-2010] => 2000 - 2010
)
[cols] => Array
(
[0] => object_type
[1] => shoe_type
[2] => focus
[3] => colour
[4] => material
[5] => usage
[6] => style
)
)
[title] => feathers
[body_id] => room
)
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[col] => material
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Please read our Terms and conditions for using this website.
The Virtual Shoe Museum was initiated by Liza Snook in 2004. Once the idea was born, a long search began for designers, photographers and publishers connected to shoes. New friendships developed and our mailbox filled with loads of material on fantastic shoes, art and design on shoes.
And finally, with the help of Taco Zwaanswijk of Interactive Affairs, who designed the site, and Bart van der Ploeg of Resolume, who programmed the database and created the content management system, we're live! And proud! And we're only just beginning...
If you have any questions about the collection, or leads on shoes or designers, please let us know. Also, we're interested in your opinion on the collection and your experiences in the museum. You can contact the Virtual Shoe Museum by mail: Liza@VirtualShoeMuseum.com.
The Virtual Shoe Museum has different 'perspectives' on a shoe or object. These perspectives (designer, focus, colour, material, etc) show related objects and thus ways to navigate the collection.
The left column of the screen contains the main navigation. Each perspective contains several 'rooms'. Each room contains thumbnails of the objects it contains (on the right side of the screen). Choose any to view this object.
On an object's page, below the image, you can view more images, video and text (if available). Above the thumbnails, you find a list showing all the rooms this object belongs to. Here you can wander the rooms and find related objects.
search by keyword